A galaxy of young talents who are reshaping China's creative business: Sci-Fi, filmmaking, variety show production... It's all about content!
A series of articles and interviews about China's animators, platform executives and voice actors, to present a spectrum of China's animation business.
Director Da Peng shared his "secrets" of making a huge box office winner with a good story, a very small budget and few stars.
The total cinema admissions in the China film market in 2014 is 830 million. Over half of viewers age from 19 to 30 years old. Most are college graduates.
Jack Ma does not always need to be this tough. In fact, he has been practicing Taiji for years, a Chinese philosophy that values balance and changes.
Sensitive and translucent, Amber Kuo started her adventures in wonderland upon receiving the championship in a singing competition.
“When I was little, I had four dreams: to become a scientist, a good writer, a champion car racer and a filmmaker."
Chinese marketers begin to join film projects from the development stage, even to help build the story and script.
Chris Edwards, CEO of The Third Floor tells you why he wants to expand The Third Floor’s territory to China.
Wang Zhongjun, Founder and Chairman of the Board of Huayi Brothers Media Corp., runs China’s biggest media group worthy $4.68 billion.
Zhang Zhao attributes his odyssey largely to a great education he received from his lieutenant father, a submarine scientist in the PLA Navy.
A industry forum including a banker, a professor, an industry consultant and a festival programmer on the changes and challenges.
80% of TFC fund comes from Taipei City Government, and we raise the other 20% on our own from companies like TSMC and UMC.
Mr. Paillard talks about Marché du Film's ongoing expansion and innovation, Cinando and co-productions.
Filmart has built on the prototype of CineMart in IFF Rotterdam. We learned a lot and received substantial support from Rotterdam, said Mr. Wong.