I met producer Shozo Ichiyama in Venice, and interviewed him about THEY SAY NOTHING STAYS THE SAME, film star Joe Odagiri's directorial debut.
Director Masaru Oura kept a visual archive of the Tora family for 22 years, documenting their separation and reunification, birth and death.
After contributing for Transformers 4 and Monster Hunt, Jason is now working for a director's huge-budget film in China as the on-set VFX supervisor.
Yang talked about filmmaking, the Chinese society and an ambitious plan for his newly founded production company Nezha Brothers.
Director Da Peng shared his "secrets" of making a huge box office winner with a good story, a very small budget and few stars.
13 talented young directors who might bring the next new wave of cinema or drive the Chinese-American co-production to the next stage.
Sensitive and translucent, Amber Kuo started her adventures in wonderland upon receiving the championship in a singing competition.
Film is a part of my life. Film itself is a complicated conception and can hardly be called pure art or mere commodity. But in China...
" I prefer to recover one’s original simplicity, keeping a scene as it is. The only thing that can change it is TIME... We will never be as powerful as time can be. "
Chris Edwards, CEO of The Third Floor tells you why he wants to expand The Third Floor’s territory to China.
Wang Zhongjun, Founder and Chairman of the Board of Huayi Brothers Media Corp., runs China’s biggest media group worthy $4.68 billion.
Zhang Zhao attributes his odyssey largely to a great education he received from his lieutenant father, a submarine scientist in the PLA Navy.
Xu believes martial arts is a basic aspect of the Chinese cultural heritage... to be adept with both the pen and the sword.
80% of TFC fund comes from Taipei City Government, and we raise the other 20% on our own from companies like TSMC and UMC.
Mr. Paillard talks about Marché du Film's ongoing expansion and innovation, Cinando and co-productions.