Category Archives: interview
Tsai Ming-liang walks on
Tsai Ming-liang won the Grand Jury Prize in Venice and Golden Horse Awards’ Best Director for Stray Dogs in which Lee Kang-sheng won the Best Actor Award at the Golden Horse. In 2014, Tsai’s Xi You/Journey to the West was
Tsai Ming-liang walks on
Tsai Ming-liang won the Grand Jury Prize in Venice and Golden Horse Awards’ Best Director for Stray Dogs in which Lee Kang-sheng won the Best Actor Award at the Golden Horse. In 2014, Tsai’s Xi You/Journey to the West was
Chirs Edwards, CEO of The Third Floor
Beijing Film Academy launched the China-US Master Class this fall: Michael Peyser, one of Woody Allen’s producers invited his friend Chris Edwards, CEO of The Third Floor, to talk about previsualization. THE CHINESE FILM MARKET’s interview with Chris Edwards can
Chirs Edwards, CEO of The Third Floor
Beijing Film Academy launched the China-US Master Class this fall: Michael Peyser, one of Woody Allen’s producers invited his friend Chris Edwards, CEO of The Third Floor, to talk about previsualization. THE CHINESE FILM MARKET’s interview with Chris Edwards can
Wang Zhongjun, King of Entertainment
Wang Zhongjun, Founder and Chairman of the Board of Huayi Brothers Media Corp., runs China’s biggest media group worthy $4.68 billion. With businesses in advertising, film, music, talent agency and mobile game, Huayi Brothers is literally a kingdom of entertainment
Wang Zhongjun, King of Entertainment
Wang Zhongjun, Founder and Chairman of the Board of Huayi Brothers Media Corp., runs China’s biggest media group worthy $4.68 billion. With businesses in advertising, film, music, talent agency and mobile game, Huayi Brothers is literally a kingdom of entertainment
Zhang Zhao, the Game Changer
Zhang Zhao, CEO of Le Vision Pictures, is forcing a strategic remodeling in the Chinese film market. “A film company in the New Media Age” is his Le Vision manifesto in film production and distribution. His adept adoption of new
Zhang Zhao, the Game Changer
Zhang Zhao, CEO of Le Vision Pictures, is forcing a strategic remodeling in the Chinese film market. “A film company in the New Media Age” is his Le Vision manifesto in film production and distribution. His adept adoption of new
Xu Haofeng the Grand Master
Xu Haofeng began to learn Xingyiquan, one of the major “internal” styles of Chinese martial arts, in 1987. After studying fine arts for five years, he went to the Department of Film Directing in Beijing Film Academy and graduated in
Xu Haofeng the Grand Master
Xu Haofeng began to learn Xingyiquan, one of the major “internal” styles of Chinese martial arts, in 1987. After studying fine arts for five years, he went to the Department of Film Directing in Beijing Film Academy and graduated in
Jennifer Jao on the Taipei Film Commission
Jennifer Jao came back to Taiwan after graduating from an American film school. Her unconventionally poetic answer to a difficult question in a job interview won her respect as well as a position in the highly selective Central Motion Pictures
Jennifer Jao on the Taipei Film Commission
Jennifer Jao came back to Taiwan after graduating from an American film school. Her unconventionally poetic answer to a difficult question in a job interview won her respect as well as a position in the highly selective Central Motion Pictures
Le Marché du Film, an interview with Jérôme Paillard >> Cannes 2013
Started in 1950s, Le Marché du Film has become an indisputable leader among film markets in the world. The strong relationship between the Festival de Cannes and Marché du Film leads to an essential increase of its participants. The Executive
Le Marché du Film, an interview with Jérôme Paillard >> Cannes 2013
Started in 1950s, Le Marché du Film has become an indisputable leader among film markets in the world. The strong relationship between the Festival de Cannes and Marché du Film leads to an essential increase of its participants. The Executive
